Yikes! Is it September already? I’ve been busy making Facebook pages to promote my books, as well as releasing Patriots and Tyrants in paperback, and I’ve found the time to do some editing for my nephew and some cover assistance for my friend Linda… I just haven’t found the time yet to write!

I don’t think I’ve been avoiding it, but maybe that’s not true. Time will tell.

Regardless, I’ve made a little more progress on Eye of Darkness, getting a whole lot closer to being done, and I’m eager to wrap it up and get started on the next project on my plate.

The Coppersmith continues to be my newest “runaway” best seller (for me, at least). I’ve sold almost as many copies of my psychothriller as I have of my political thrillers, and in far less time. Maybe it’s the price point, maybe it’s that the subject matter is less controversial, and therefore less frightening.

Apple I-tunes is where I’m selling it most. I sold 35 copies in June and 23 in July. I don’t have figures for August yet, but it’s crazy that it’s doing so well over there. Weird. I’m sure the fact that I share the same first and last name as another major author isn’t hurting me any at all. I know for a fact his name is just a pen name (Michael Scot was the name of a Scottish “wizard”), whereas my name is the real deal. Besides, I had it first. I’m sure people will figure it out eventually. Hopefully, by that time I’ll have established my own credentials as a writer.

Oops. It’s time to go to work now. Gotta run!

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Well, I didn’t get to start back on Eye of Darkness as quickly as I expected, but I did finally get back to work on it. I’m closing in on 60K words, and will break past it today, I expect. The story is progressing nicely, though I think when I’m done I’ll have to go back through and do two things: a) ensure that I’ve dropped appropriate “foreshadowings” for later events early enough, and b) tie up all lose threads. I found I had to do this a bit with The Elixir of Life as it is – in fact, this formed the bulk of my effort to beef up the work. I can’t imagine not having to do it for something I’ve composed so quickly.

I’ve also realized that I want to add an afterward to both The Lost Scrolls and The Elixir of Life: something that will highlight the factual elements in each story and offer readers an opportunity to explore further. It’ll probably be something similar to what I’ve composed on the pages here for the books. I have to discuss this with Ellechor first, of course, but I’ve encountered two authors who do so, and it’s interesting (to me, at least) to read that stuff.

James Rollins, one of my fav’s, does this at the end of his books, as does Terri Blackstock (just finished reading her book Predator the other day).  And I started doing something similar for the Jefferson’s Road series. I think it’ll be a nice tie-in for the Jonathan Munro stories.

Naturally, of course, as soon as I finished Elixir, I started plotting out the next adventure for Jon while in the shower. Meanwhile, I came up with an idea for an urban fantasy based here in Rochester. Basically, the story transforms the Rochester metro into a fantasy world for those who can see it (it involves the geography, history, and architecture of the city). There are two sides (good and evil, naturally), of which the good side is composed mostly of homeless people, and the bad side of those who are attempting to control the average citizens of Rochester, who remain blissfully ignorant of the magical war going on around them. Yes, it’s a total rip-off on Harry Potter’s Muggles, but that’s about as much influence as Rowling has had on the idea so far. The story will touch on the drug-use of the homeless (a device designed to keep the magical ones “burned out” so they can’t rise in defense of the city. Something like that), as well as the history of this city when it comes to spiritualism (The history of the Fox sisters starting the spiritualism craze back in the nineteenth century will give a partial justification as to “why here.”). Oh, and since there’s a large white tower and black tower downtown – that’s kind of important, too.

Of course, I can’t even start to work on it until I wrap up my current projects, so I guess I’d better get cracking. So many stories, so little time (that’s starting to be a theme for me).

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Finished!

Took me a lot longer than I thought it would – largely due to my inability to find time to sit down and write (when I actually have energy – er, maybe that’s a discipline issue), but the good news is that I’ve finished The Elixir of Life. I’m quite satisfied by the ending, now. I don’t think I’ve overwritten any passages – even in my attempts to beef up the word count. Overall, I think it’s simply strengthened the story and given me a chance to include some details in the story I’d meant to add at one time, but hadn’t included in the first draft.

Final word count: 74K. It’s still a little shorter than I wanted it to be, but I think I can live with it. Now it moves into the editing phase, but I’m not going to put a lot of time into it until I’m closer to a submission date. Given that I probably need to wait until The Lost Scrolls comes out before offering Ellechor a sequel, this means I can at least move on to Eye of Darkness, which I hope to wrap up before the end of September.

Speaking of September, my sister is asking me when Patriots and Tyrants will be available in paperback. I’ve gotten this question a couple of times now, and I’m beginning to think that I ought to release it sooner than I’d originally planned. They don’t teach you this stuff when you decide to become an independent author (actually, nobody teaches you anything. You have to figure it all out on your own. Hmm… might be a series of valuable blog posts there…), but releasing your book at the right time is as critical to your success as writing a quality manuscript. There are certain periods where readers buy. I’m going to do a little more research on this, but look for Patriots and Tyrants to come out sometime next month.

Given that I’ve got people demanding even The Tree of Liberty, I’m pondering which book to work on after Eye of Darkness. My original plan is to work on Topheth first, and then Tree, but I might reconsider. Regardless, I’ve got some time before that becomes an issue.

Now, I’m gonna help my wife get the house ready for company, and then I’ll disappear back into my man-cave once the guests arrive (’cause they ain’t here to see me!).

Feels pretty good to have this book done, though.

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As my friend Linda has pointed out, it’s now about mid August. The good news is that I did indeed finish The Elixir of Life, but I found that my word count is a little low. I’m going through the thin chapters right now and seeing what I can beef up. It’s allowing me to add a little more color and background to the story, I think, without slowing down the action any. We’ll see, I suppose. But that’s where things stand.

Of course, I’ve already broken my rule a bit by taking a look at a novel I started two years ago called Rock of Ages. It’s about an attempt to spark a new war in Israel by destroying the Al Aqsa mosque – also known as the Dome of the Rock. I like the story because it’s letting me tell the Israeli-Palestinian conflict from both sides- which is really fascinating – seeing the history involved in the conflict. I’ve got about 12K words done on it already. No worries, though. I didn’t actually start working on it again. Just looked at it is all. Something this morning was just prompting me to give it a second look. I may put it in the hopper as the next novel to send Ellechor’s way, after Elixir, if only because it is a Christian action-adventure novel.

But as of right now, it’ll have to take a number. I’ll wrap up Elixir probably by the end of next week, all things being equal, and then I can tear into Eye of Darkness again and try to finish it by the end of September. Or better.

So many stories. So little time.

On a positive note, I did hear from Rochelle Carter the other day. They’ve begun working on my cover design (Doing the happy dance – I’m so excited!) I have to send them any images that sort of depict what I’m looking for. I had a few I saw at one time, but I have to try and find them again.

And my sales in August, though rather slumped compared to June, have picked up a little bit, so that’s a relief. I was beginning to think the economy tanking had taken all the wind outta my sales. But I reckon it’s just the summer doldrums.  Once Eye is finished and released, we should see a healthy uptick again.

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I’m thinking about employing a new strategy. For a few months now I’ve been struggling to finish some of the projects I’ve been tackling of late, making very little headway on any of them. It’s occurred to me that holding four separate novels in my head simultaneously might not be the best way to accomplish this.

For the record, I have the following projects in various stages of completion:

The Elixir of Life word count = 64,007
Eye of Darkness word count = 56,382
Topheth word count = 25,584
The Tree of Liberty word count = 11,886
Total All Books: 157,859

So you can see, I’ve been plenty busy. It’s just that I haven’t gotten some of these off my plate yet. Perhaps they’re taking up too much room in the fields of my imagination. Better to harvest them and get them out of the way, and then move on to the next with a little more energy.  I only need about 10K more words or so to wrap up Elixir. Eye only needs 20K more or so. Topheth needs 50K. And Tree needs 65K at least. That’s assuming I reach my baseline goal of 75K words per book. Bear in mind, this is a minimum target. I’ll write until the story is finished, naturally, but it does give me a sense of how much more there is to go. I suppose it’s possible that Eye could run for another 50K words, though I doubt it at this point.

Regardless, I think this’ll help break the logjam and get me rolling again. The only downside is that I won’t be able to release Elixir due to contractual obligations (Ellechor gets first crack at any Jon Munro adventure – really, any Christian adventure fiction I write).

After this, I can take a serious look at the other projects languishing in forgotten corners of my mind (like Descent, my story about alien abductions, or The Novem, a sci-fi thriller about children with neural implants that connect them directly to the internet), and that’s not considering the remaining sequels in the series I’ve already begun (Janelle Becker books have two more; Jefferson’s Road has three more after Tree; Jon Munro has at least two more, possibly three; and Lucas may have as many as three more.).

I’m starting today. I’ll let you know how it works out.

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Well, I don’t have the final sales tally for Smashwords just yet, but overall it looks like my sales tanked in July. At least, as far as Amazon goes, they did. I could be wrong (given that I show Nothing selling through Smashwords’ various distributors), but that’s where it stands right now. Call it the summer slump. Speaking of slump, I had real trouble summoning up even the interest in writing last night on my overnight. Could be that I’m just tired (that first night is a killer), or it may be that I need a vacation, but I’ve noticed this a little bit more lately. I’m hoping it isn’t burn-out. Maybe I just need to refill the barrel by reading more, but the library hasn’t had anything of interest to me in a while. My friend Greg C. just sent me a note inviting us over this week. Gotta talk to the boss first, but I think we can do it. He also sent me this:

RE: your signature … stop writing other books! You have to finish the Jefferson Road series! 😉
:p – No worries, Greg! It’s getting written!  But I’m determined not to rush this one. I’ve no plans to finish it before next Spring as it is, and I want to be sure I get the story right. I don’t know what that says about my other books (naturally, I want to get them right as well). Maybe because it’s a six book series I feel more invested in it. Or maybe because I feel that this series, more than anything else I write, is more prophetic. I dunno. It’s just different with Jefferson’s Road. I’m not writing it for fun, y’know? I mean to say something with it. Something important.
Anyway, guess I’ll get back to work now.
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Nearing the end of July, now, and my big plans for writing Eye of Darkness in a single month have, of course, failed to pan out. Nevertheless, I’m still pleased with the experiment so far. I’ve composed almost 60K words as of tonight, and probably in excess of that by the time August 8th rolls around, which will represent four months since starting the book. It’s been difficult, and I don’t know whether or not I’ll be able to improve on this pace with a different work or not. Admittedly, I’m both out of my genre and out of my depth, but I’m still getting more done and more quickly than if I weren’t shooting for the moon on it.

I’ve gotten bogged down here and there on the story, and many times lost any interest whatsoever in writing it. Sometimes, just to keep going has been a major effort. Naturally, I’ve taken time off to work on The Tree of Liberty, or fiddled around with Topeth a bit.  And the thing is: I don’t think it’ll be ready to publish as soon as I finish it, either. This thing is gonna need some editing and a little rewriting before I dare release it to the public. I want to put forth my best work, of course.

I was doing pretty well for the first 40K words, but that’s when the trouble started, and I got bogged down. I don’ t know if this would’ve happened had a) I stayed in a more familiar genre, or b) had I let the story be a little more “formed” before trying to put it down on paper. There’s a very real sense in which a story doesn’t really take shape until you write it (to paraphrase Nancy Pelosi (of all people!), “We have to write the story to find out what’s in the story.”).

But like I said, I have to be pleased. I’ve gotten a lot done, and this pace at least allows me to triple my story output (three books in a year as opposed to just one), even if I’m not all the way where I want to be just yet. Rest assured, I’m going to keep trying to get more books done in less time, because the sheer number of stories I have to tell has not diminished at all.

On a positive note, I’ve edited Topheth to the point where I’ve been able to start work on it again, and just as soon as Eye is done, I’ll be tearing into it big time. With only 50K words or so left to write on it (or more, of course), I don’t know that it will take me that much longer to release another one.

And as August is right around the corner, I’ll be in touch with Ellechor soon to talk about The Lost Scrolls, due in March. We’ll begin the editing process on that one shortly (at which time I’ll want to put the finishing touches on the sequel, tentatively called The Elixir of Life. Meanwhile, I continue plugging away at The Tree of Liberty, even though I’m not looking to have it finished until next April.

Busy, busy, busy!

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In view of the recent shootings and bombing in Norway, I composed the following as the Author’s Note to Jefferson’s Road: The Tree of Liberty, but it speaks to the rationale behind the whole series.

Author’s Note

As I write this, I’ve been reading about yet another terror event. This one took place in Oslo, Norway, at the behest of Anders Behring Breivik, a self-described Christian ‘Culturalist’ Knight. He set a fertilizer bomb to explode at the offices of the Norwegian Prime Minister, killing seven people, before attacking a Labour Party youth wing summer camp on Utoya island and shooting to death at least seventy-six more.

Most of them were students.

Jefferson’s Road is not written advocating this kind of violence. What I am attempting to do, fictitiously, is explore how and why incidents like this occur. Pundits on the Left decry the Radicalized Right for promoting “Hate.” Pundits on the Right assert that the madmen alone are responsible for their actions, as if nothing had incited them. And while individuals such as Breivik and McVeigh are indeed responsible for their own actions, it answers nothing to ignore what might have incited them to violence as the only acceptable alternative. In answering the questions of “How?” and “Why?” this happened, I lay the blame for these kinds of incidents squarely at the feet of the Cultural Marxists and the forces of radical Islam.

That war makes strange bedfellows may be the only explanation for the curious union between the Left and Islam. Both appear to believe they are using the other to successfully dismantle the Christian West. Who’ll wind up on top remains to be seen—though I’ve little doubt that the Islamists will prevail.

If the Right is radicalized, it is so because of the insidious attacks from this curious union. This is the whole point behind the stories. It is not my attempt to justify Breivik or McVeigh—but to explain them. The rifts in our culture—and the wider tears in Europe—are there because Cultural Marxism and Islamism are shredding the moral and social fabric that holds everything together. Such things cannot be destroyed without violence erupting, if only because it is the same moral and social fabric which restrains humanity’s more violent passions to begin with. And if you think it’s only going to occur in isolated instances, think again.

The violence is going to get worse.

Then again, this is precisely what the Cultural Marxist wants. The increase in violence is seen as a precursor to the Proletarian Revolution that will finally dispel the old age and usher in the new, Communist Utopia. Marx himself taught that violence is an acceptable and necessary means to an end. Toward that objective, it really doesn’t matter if the violence is perpetrated by the Left or by the Right, so long as it serves to destabilize the society and further the aims of the Cultural Marxist.

The Islamists, of course, fully embrace violence in service to their god. Anyone who believes differently is obfuscating the facts and ignoring the newspapers.

Andrew Bard Schmookler wrote in The Parable of the Tribes that once one group of human beings begin to exercise power over another, the ways of power inexorably dominate all the other groups (in his terminology, tribes). It is an irresistible force that eventually overwhelms even the most peaceful people.

It may well be that violent revolution is in our future, whether we want it or not. But the outcome of such a revolution is not predetermined. Perhaps neither the Marxists nor the Islamists will find themselves on the winning side.

Anyway, those are my (recent) thoughts on the matter. Jefferson’s Road isn’t light reading. I just pray I can tackle the issues in our culture honestly without inspiring the likes of Breivik or McVeigh.

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Just got in some of the updated sales figures from Smashwords. Looks like The Coppersmith is taking off in the Apple I-books store. In June I sold 38 copies there (and 4 Spirit of Resistance). Wow!

This means that in a single year, coming from behind, I sold almost 200 books. If I lay it out by quarters, it looks something like this:

Q1 –  15, Q2 – 18, Q3 – 45, Q4 – 118.

I observed this phenomenon in an earlier post, that my third quarter numbers are more than twice my first two, and my fourth quarter numbers are more than the first three combined. Exponential growth, baby!

This still doesn’t reflect the full sales figures, as I haven’t seen updates yet for Kobo and Sony books, and I only have the first two weeks from Barnes and Noble.

Ahem. Therefore, I am more determined than ever – just as soon as I finish Eye of Darkness – to get cracking on Topheth and try to finish it as quickly as possible. It also reconfirms that releasing more books is definitely a key to success in Indie publishing.

Gets me outta my funk from yesterday, that’s for sure!

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There is a downside to indie publishing – and it’s not just that the books don’t sell as well as traditionally published books (supposedly). The downside is that in all the efforts at marketing and self-promoting and editing and book cover design and everything else, something gets lost.

Of course, it probably gets lost in any publication endeavor, so perhaps it’s not so much a downside to indie publishing as it’s a downside to publishing and selling books at all. The downside? Writing for the sheer love of it gets lost.

Not that I’ve lost my love of writing, just temporarily misplaced it. I’m sure it’s here somewhere, buried under a stack of income statements and marketing efforts and reports (and even blogging). I swear I spend more time these days thinking about how well my writing is selling–or about how well I’m writing–than I do actually writing.

And the real frustration is that so much time is spent trying to sell what I’m writing with so little return for the effort, that I have to wonder whether or not it’s worth it.

My friend Linda Yezak has encouraged me to not give up on traditional publication (and indeed, I haven’t, as The Lost Scrolls is still to come out next March), because there’s still a stigma attached to indie publishing. A glance at Smashwords earlier confirms this, as the top novels are all basically pornography (I think one had something to do with sex between a step-father and his daughter. Not on my “buy” list, that’s for sure.). This confirms what a lot of people have been saying for a while, that e-books are becoming a slush pile of garbage books that wouldn’t otherwise see the light of day, or would swiftly fall from an acquisition editor’s desk into the circular file, with a cursory form letter respectfully declining the offer. Trying to climb on top of that heap is difficult at best, if only because the pile keeps growing as more and more books are added (and some of them are good, many are adequate, and many, many others are crap).

In the face of this, I know I want to recover my sheer love of the story itself. I still want to write, and I have so many stories to tell, but I long for the day when I no longer have to thrust myself into the world of commerce because my time is better spent producing material for others to sell. Sadly, that day may never come. I suppose we’ll see.

But as Joe Konrath has pointed out: this is  a marathon, not a sprint. And though “the woods are lovely, dark and deep… I have promises to keep, And miles to go before I sleep.” (Frost, Stopping By Woods On A Snowy Evening).

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